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By Mary Louise Wilson
"I think it was 1959 or 1960, I was going into '3- Penny Opera' at the then theatre de Lys, to play Lucy, the part originated by Bea Arthur. The production had run so long it was like a swinging door for a generation of actors; you weren't in the swim until you had done a few months in '3-Penny'. So here I was going in, and I remember crying on the phone in the lobby because somebody at Equity was telling me I wasn't qualified to be a member. The only other part I had ever played was Second Dead Lady in 'Our Town' at Circle in the Square. I had one line. I don't know for sure but maybe in the dark ages to qualify you had to be in more than two off-Broadway shows, or have more than one line. Or else I just dreamt all this. Memory is a tricky thing. One thing I do know happened. Within the first month of playing Lucy I got hired away to perform in a revue and I had to get finger-printed and get an AGVA card to work in a saloon."
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