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    Updated May 21, 2015

The Roger Sturtevant Award

Two Membership Candidates are Recognized with the Roger Sturtevant Award

Equity Membership Candidates Amanda Hartley Urteaga and Nichalas Parker were awarded with the Equity Foundation’s 11th annual Roger Sturtevant Musical Theatre Award. Named for the beloved casting director who passed away in 2003, this award is given to EMCs who have demonstrated outstanding abilities in the field of musical theater.

Urteaga is a recent Joseph Jefferson Award winner for Best Supporting Actress in a Musical in The Robber Bridegroom at the Griffin Theatre Company in Chicago, including being honored with having one of the top five best female performances by Chicago’s Newcitystage.com.  Parker, a six-foot-four baritone, was part of the apprenticeship program at the Walnut Street Theatre in Philadelphia – one of only four actors selected from over 500 applications – where he has been seen in productions such as I Love You, You’re Perfect, Now Change; A Christmas Carol, and, upcoming, Memphis

Glenn Bruner

Amanda Hartley Urteaga

How does it feel to win the Roger Sturtevant Musical Theatre Award?
Urteaga: I am so happy to receive this award. I just played Grandma in a fabulous sit-down production of The Addams Family at the Mercury Theater in Chicago, and to win this honor right after we closed was very exciting indeed. 

Parker: Quite unexpected to tell the truth. It was one of those things where you submit for something and, after a while, you think they forget about you or you'll forget you submitted. Then you get a call saying you got it and it's a pleasant surprise. I do feel very blessed for this opportunity. 

Glenn Bruner

Nichalas Parker

What prompted you to be a performer?
Urteaga: I have been a stage performer since I was 16 in different varieties of performance, from a magician's assistant to a burlesque dancer. I hold a bachelor’s in theater from Rhode Island College (my home state) and an MFA in acting from The Theatre School at DePaul University. I've always wanted to be a performer. I blame my big family back home in Rhode Island; the Hartleys love to be entertained. I've always felt closest to God while onstage, so I figured that performing was a calling for me. I'm most at home singing and playing funny characters who are kind of crazy. 

Parker: Since I was a kid, I've always loved to perform for my family. But honestly, I was torn between performing and playing football in middle school – I figured I would get back into football when I got to high school. I ended up going to an arts high school as a vocal major and haven't stopped performing since. 

 Tell us about the very first show with which you were involved. 

Urteaga: The very first role I performed was Wendy in the musical Peter Pan in kindergarten back in Rhode Island. 

Parker: In elementary school I was in Guys and Dolls and played Lt. Brannigan. I had so much fun that the next year I auditioned for Fiddler on the Roof and landed the role of Tevye. 

What does becoming an Equity member mean to you?
Urteaga: My husband and I just had a baby last year, and I'm very excited about joining Equity so that I can earn a better living to support my little girl – and hopefully be an inspiration for her to follow her own dreams. 

Parker: Being a part of this union gives me some sense of stability and support. In a profession where you're constantly motivating yourself and others, it's still nice to know that no matter what job you do, Equity is there. 

If you had you druthers, what two dream roles would you play? 
Urteaga: I have lots of dream roles. I'd love to play Martha in The Secret Garden and Sara Jane Moore in Assassins (to name a couple). I do plays as well as musicals, and I'd love to work at Steppenwolf someday. I'm very proud to be a Chicago actor; we have a fierce community of artists here!

Parker: I would have to say Porgy from Porgy and Bess and Franz Liebkind from The Producers

What’s next for you?
Urteaga: I'm up for a couple of roles right now; I'm auditioning and I also just started a new serving job so I can buy a car in a few months. That way I can work in theaters all over Chicagoland easily. It's all about the planning. I'm in this for the long haul.

Parker: I'm starting my second half of the co-production of Memphis with the Walnut Street Theatre. We just got back from Vero Beach, Florida for the first half. 

The Roger Sturtevant Award consists of a certificate accompanied by a $1,000 check.

 

 

 

 

Award pages:

ACCA
Arizona Theatre Service
Bayfield
Callaway
Derwent
Diversity on Broadway
Eisenberg
Jordan
Lamkey
LeNoire
Quinn
Robeson
Seff
Sturtevant


Roger Sturtevant began a show business career as box office treasurer (and sometimes as casting director) for summer theaters in the northeast, including the New London Barn Playhouse in New Hampshire and the Pocono Playhouse in Mountainhome, PA. On Broadway he served as assistant treasurer in several theater box offices, including the Winter Garden during the original run of Follies, his favorite musical. After his passing, Roger’s family contacted Equity’s Foundation to set up the award. Jane Sturtevant Johnson notes, “Inspired by the many expressions of gratitude and heartfelt appreciation, we are proud and happy to announce the establishment of an award in Roger’s name to be given to talented new actors and actresses in the musical theatre.”

The award was established in 2005 and is supported by donations from Roger's friends and family.


Recipients of the Roger Sturtevant Award are:

Year Recipient
2005 Meegan Midkiff
Nick Verina
2006 Erin Driscoll
John Pinto
2007 Janine Romano
Scott Reardon
2008 Chelsea Cree Groen
Ricardo Rust
2009 Kalyn Hemphill
Aaron Reeder
2010 Jessica Taige
Isaac Benelli
2011 Dayna Dantzler
Edward Miskie
2012 Emelie Faith Thompson
Matthew Elliott
2013 Katie Wesler
Robert Ariza
2014 Amelia Millar
Daniel Hines


 
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